The figure shows a root-position triad in four voices. Which chord member is doubled?

Read the root-position triad in the figure. Which chord member has been doubled?

The figure shows a second-inversion C-major triad. Which member should be doubled in this 6/4 chord?

The figure shows a cadential 6/4 in G major, written as a second-inversion G-major triad. Which chord member is doubled?

The figure shows a vii°6 triad in C major. Which chord member is conventionally doubled?

The figure shows a first-inversion C-major triad in four voices, voiced by the common first-inversion convention of doubling the soprano note. Which chord member is doubled?

A first-inversion F-major triad in C major has C, its fifth, in the soprano. Under the common first-inversion convention, what should be doubled?

Why is the leading tone normally not doubled in four-part writing?

Why is the third normally avoided as the doubled note in a root-position major triad?

Why is the third generally not the preferred doubled note in a second-inversion triad?

In a vii° triad in C major, which member should normally not be doubled, and why?

In a V–vi deceptive progression in C major, which member of vi (A–C–E) is normally doubled?

In four-part writing, which pair of adjacent voices may be more than an octave apart?

In a V–I progression in C major, where does B normally resolve?

In a V–I progression in G major, where does F♯ normally resolve?

A V chord resolves to I in D major. Where should the leading tone C♯ move?

When V resolves to I in A major, where does the leading tone G♯ normally go?

In E harmonic minor, a dominant chord contains D♯. When it resolves to i, where should D♯ go?

In a V–I progression in B-flat major, where does the leading tone A normally resolve?

In an I–V progression in C major, which pitch can be held in the same voice as a common tone?

Two settings move from I to V. Which is preferred?

Which realization is smoother when two chords are connected?

Between two chords that share one pitch, which treatment is generally preferred?

Which choice best follows smooth voice-leading practice at a cadence?