In a major key, which Roman-numeral chord most often follows ii in a cadential progression?

After IV functions as a predominant in a typical phrase, what harmony commonly follows it?

Complete this common circle segment: vi–__–V–I.

When I moves to a predominant by the common root motion of an ascending fourth, which chord follows?

A leading-tone triad resolves in the usual way. What chord normally follows vii°?

Complete the minor-key circle-of-fifths pattern: III–VI–__–V–i.

In the extended sequence I–IV–___–iii–vi–ii–V–I, which chord fills the blank?

At an authentic cadence, dominant harmony normally resolves to which Roman numeral?

What is the usual name for the progression IV–I at the end of a phrase?

In a minor-key circle progression, which chord comes right after iv?

In a descending-fifths circle progression, which chord typically follows iii?

Which term describes a progression whose roots fall by successive fifths, such as ii–V–I?

What is the usual name for a progression such as V–IV, which moves from dominant function back to predominant function?

In the major-key circle progression I–IV–vii°–iii–vi–ii–V–I, which root motion is a diminished fifth instead of a perfect fifth?

A cadence uses ii6–V–I. What functional pattern does it show?

In a major-key diatonic circle progression, which chord immediately follows vii°?

Which progression moves backward from dominant function to predominant function?

Find the progression where a predominant chord resolves directly to tonic, skipping the dominant.

Which two-chord motion places a predominant after a dominant?

The leading-tone triad has dominant function. Which motion sends it backward to a predominant?

Which complete progression contains a dominant-to-predominant retrogression?

Which phrase reaches its predominant by roots falling in thirds from the tonic?

Which progression resolves the dominant deceptively instead of to the expected tonic?

Which progression ends with a half cadence?