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by BlastRoom
Apply SATB voice-leading rules to Roman numeral progressions.
#us_hs_music_theory
24 questions
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In C major, the bass line shown is harmonized I–V7–I. Which setting correctly resolves the V7 tendency tones?
In G major, the bass line shown is harmonized I–ii7–V–I. Which alto motion correctly resolves the seventh of ii7?
In D major, the bass line shown is harmonized I–V7–I. Which motion correctly treats the chordal seventh of V7?
In F major, the bass line shown is harmonized I–vii°6–I. Which soprano motion resolves the leading tone correctly?
In A minor, the bass line shown is harmonized V7–i. Which setting resolves both tendency tones correctly?
In B-flat major, the bass line shown is harmonized I–V4/2–I6. Which setting resolves the dominant seventh correctly?
The bass line shown is harmonized in C major as I–IV. Which pitch can an upper voice hold as a common tone between the two chords?
The bass line shown is harmonized in G major as I–V6–I. Which three upper-voice pitches complete the V6 chord correctly?
The bass line shown is harmonized in D major as ii6–V. Which three upper-voice pitches complete the ii6 chord correctly?
The bass line shown is harmonized in F major as I6–IV6. Which pitch can an upper voice hold as a common tone between the two chords?
In A minor, the bass line shown is harmonized as VI–ii°6. Which pitch can an upper voice hold as a common tone between the two chords?
A B-flat-major cadence uses the bass line I–V7–I shown. Which setting may be retained?
An incomplete root-position V7 in C major must be used over the shown bass. Which chord member is normally omitted?
In D major, an incomplete root-position V7/V is written over the shown bass note. Which member of E7 is normally omitted?
A root-position I triad in C major must be incomplete in the cadence shown. Which member is normally left out?
At a G-major authentic cadence, an incomplete root-position V7 is needed over the shown bass. Which member is normally omitted?
In A minor, four voices must realize an incomplete root-position V7 over the bass note shown. Which member is normally omitted?
A B-flat-major root-position I triad is intentionally incomplete over the shown bass. Which member is normally left out?
In C major, the staff shows the V chord in root position. When the numeral reads V6, which pitch belongs in the bass?
In G major, the staff shows the ii chord in root position. When the numeral reads ii6, which pitch belongs in the bass?
In D major, the staff shows the IV chord in root position. When the numeral reads IV6/4, which pitch belongs in the bass?
In F major, the staff shows the V7 chord in root position. When the numeral reads V4/3, which pitch belongs in the bass?
In A minor, the staff shows the V7 chord in root position. When the numeral reads V4/2, which pitch belongs in the bass?
In E major, the staff shows the vi chord in root position. When the numeral reads vi6, which pitch belongs in the bass?
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Leading-Tone Chords
20 questions
