by BlastRoom
Jane’s time as governess at Thornfield, chapters 11 to 27.
#ap_english_literature

30 questions
One question set, multiple game modes. Tap any game to see it in action. Not sure which to pick?
Answer to place stones and capture territory.
Outrun the snow together.
Earn blasts, then hunt the other team.
Answer to earn energy, then climb.

The class blasts through walls together.
Bid on mystery lots. Most money wins.
Sell tours. Nice, standard, or a total scam.
Answer, restock, and serve the rush.
More correct answers pulls the rope your way.
Answer, then shoot down the alien wave.
Answer, then tap to leap the frozen ridge.
At Jane's arrival, what does the narration do with Mrs. Fairfax's role?
Jane's first sight of Rochester comes when his horse falls in Hay Lane. What does the narration make of her helping him?
Rochester says Jane "would do me good in some way." Which scene gives that speech its force?
An early Thornfield chapter closes around the strange laugh and the name "Grace Poole." What does that structural choice accomplish?
When Rochester examines Jane's drawings, how does the first-person narration frame the exchange?
Mrs. Fairfax accounts for the third-story laugh by naming "Grace Poole." What does Jane do with that account afterward?
Rochester says it is "as if I had a string somewhere under my left ribs" tied to Jane. Where does he say this?
Jane learns the Hay Lane stranger is Thornfield's master only after helping him. What does that ordering accomplish?
In the fortune-teller episode, what can Jane's first-person narration do that omniscience would not?
After the bed fire, Rochester allows Grace Poole to remain at Thornfield. How does Jane handle that explanation?
The bed-fire chapter does not name the culprit. What is the effect of that close?
Rochester asks, "Are you fond of presents?" In which situation does that question belong?
What does the house-party sequence with Blanche Ingram chiefly reveal through Jane's narration?
In the house-party chapters, drawing-room display and third-story danger coexist. What does that juxtaposition do?
Mason is secretly removed before the guests wake. What does that placement in the chapter accomplish?
Rochester says, "That is my wife." Where does this declaration occur?
Before the wedding chapters, Mason's wounding leaves which point unestablished for Jane?
Sitting with Mason, Jane asks, "what mystery, that broke out, now in fire and now in blood, at the deadest hours of night?" What do her questions do?
At Gateshead, how has Jane changed in her response to Mrs. Reed?
Structurally, what does Mrs. Reed's delayed letter from John Eyre do in the Thornfield span?
Rochester's words "I have found you" belong to which scene?
After the veil is torn, how does Jane treat Rochester's explanation that Grace Poole must be responsible?
Before the wedding is interrupted, what do the chapters leave unestablished about the torn veil?
Rochester cries, "Jane! will you hear reason?" When does this appeal occur?
At the interrupted wedding, what does Jane's first-person position emphasize?
After Bertha is revealed, how does the third-story pattern change?
On the night of the engagement, the horse-chestnut is struck and "half of it split away." What does closing there accomplish?
Taking the interrupted wedding and Rochester's account together, which point remains unestablished?
By the end of chapter 27, what does the Thornfield span still leave open?
What question about Adele remains unanswered as Jane's Thornfield crisis closes?
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Jane Eyre: Full Novel Review
50 questions