In Joyce's "Eveline": "She had consented to go away, to leave her home. Was that wise? She tried to weigh each side of the question." Which conflict do these lines show?

In Joyce's "Eveline": "Of course, her father had found out the affair and had forbidden her to have anything to say to him." Which conflict does this line show?

In Joyce's "Eveline": "What would they say of her in the Stores when they found out that she had run away with a fellow?" Which conflict does this worry show?

In Joyce's "Eveline": "She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her." What does this moment show?

In Joyce's "Eveline": "Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could." Which side of her conflict does this memory strengthen?

In Joyce's "Eveline": "She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition." What has the decision cost her?

In Joyce's "Eveline": "All the seas of the world tumbled about her heart. He was drawing her into them: he would drown her." What does this image reveal?

In Joyce's "Eveline": "She felt her cheek pale and cold and, out of a maze of distress, she prayed to God to direct her, to show her what was her duty." What does the prayer show?

In Joyce's "Eveline": "But she wanted to live. Why should she be unhappy? She had a right to happiness." Which side of her inner conflict do these lines speak for?

In Joyce's "Eveline": "In her home anyway she had shelter and food; she had those whom she had known all her life about her." What is Eveline doing here?

In Joyce's "Eveline", she thinks that "now that she was about to leave it she did not find it a wholly undesirable life." What does this admission add to her conflict?

In Joyce's "Eveline": "She would not cry many tears at leaving the Stores." What does this tell us about what really holds her?

In Joyce's story "Eveline", Eveline stays at the North Wall station and does not sail with Frank.

In Joyce's "Eveline": "Her father was becoming old lately, she noticed; he would miss her. Sometimes he could be very nice." Why does this make her choice harder?

In Joyce's "Eveline": "Even now, though she was over nineteen, she sometimes felt herself in danger of her father's violence." Taken on its own, which conflict does this line show?

In Joyce's "Eveline", the "pitiful vision of her mother's life" comes to her, and she then rises in terror crying that she must escape. What does the vision push her to want?

In Joyce's "Eveline", at the quay she asks: "Could she still draw back after all he had done for her?" What does this question add to the conflict inside her?

In Joyce's "Eveline", Frank keeps speaking to her about the passage at the station, and "She answered nothing." What does her silence show?

In Joyce's "Eveline": "No! No! No! It was impossible. Her hands clutched the iron in frenzy." Which conflict is settled at this moment?

In Joyce's "Eveline": "She gripped with both hands at the iron railing." Joyce shows her state through what she does instead of naming it. Which kind of characterization is this?